| The Hitchhiker's Guide to the Galaxy |
|
|---|---|
Opening titles designed by Doug Burd |
|
| Format | Comic science fiction/Sitcom |
| Created by | Douglas Adams |
| Starring | Simon Jones David Dixon Mark Wing-Davey Sandra Dickinson David Learner |
| Narrated by | Peter Jones |
| Theme music composer | Bernie Leadon |
| Opening theme | The Eagles - Journey of the Sorcerer |
| Country of origin | United Kingdom |
| Language(s) | English |
| No. of series | 1 |
| No. of episodes | 6 (List of episodes) |
| Production | |
| Producer(s) | Alan J.W. Bell John Lloyd |
| Running time | 33 mins |
| Broadcast | |
| Original channel | BBC Two |
| Picture format | 4:3 |
| Audio format | Monaural |
| Original run | 5 January 1981 – 9 February 1981 |
| Chronology | |
| Related shows | The Hitchhiker's Guide to the Galaxy (radio series) |
| External links | |
| Website | |
The Hitchhiker's Guide to the Galaxy,[1] is a BBC television adaptation of Douglas Adams's The Hitchhiker's Guide to the Galaxy broadcast in January and February 1981 on BBC Two. The adaptation follows the original radio series in 1978 and 1980, the first novel and double LP, in 1979, and the stage shows, in 1979 and 1980, making it the fifth iteration of the guide.
The series stars Simon Jones as Arthur Dent, David Dixon as Ford Prefect, Mark Wing-Davey as Zaphod Beeblebrox and Sandra Dickinson as Trillian. The voice of the guide is by Peter Jones. Simon Jones, Peter Jones and Mark Wing-Davey had already provided the voices for their characters in the original radio series in 1978/80. In addition, the series features a number of notable cameo roles, including Adams himself on several occasions.
Although initially thought by BBC executives to be unfilmable, the series was successfully produced and directed by Alan J. W. Bell and went on to win a Royal Television Society award as Most Original Programme of 1981, as well as several BAFTA awards for its graphics and editing.[2]
Contents |
After the success of the first seven episodes of the radio series, all broadcast in 1978, and while the second radio series was being recorded, Douglas Adams was commissioned to deliver a pilot script for a television adaptation on 29 May 1979, to be delivered by 1 August.[3] A fully animated version was briefly discussed in the autumn of 1978, but it was eventually decided to make most of the series feature "live action" and only animate The Guide's entries.[4] John Lloyd, who had worked with Adams on the first radio series, is credited with starting the process of adapting the series for television, after the receipt of the pilot script, with a memo to the Head of Light Entertainment (John Howard Davies) in September 1979.[5] Adams was still working on scripts for the second radio series of Hitchhiker's and working as Script Editor for Doctor Who, and thus the BBC extended the deadline for the pilot script of the television adaptation to the end of November.[6] The script for the pilot was delivered in December 1979, and terms for the five remaining scripts were agreed upon in January 1980. While there was some resistance to a project considered "unfilmable," Alan J. W. Bell was given the duties to produce and direct the TV adaptation. John Lloyd was signed as Associate Producer.
In early 1980, production on the pilot episode began on several fronts. Rod Lord, of Pearce Animation Studios, directed a 50 second pilot, hand-animated, giving a 'computer graphic' feel to the Babel Fish speech of the first episode. Douglas Adams and Alan J.W. Bell were both pleased with the animation, and Lord was given the "go ahead" to do all of the animation for Episode 1 (and subsequently the complete TV series).[7] Narration for the first episode was recorded by Peter Jones in March 1980. The filming of two green-skinned aliens reacting to Pan Galactic Gargle Blasters was done on 8 May 1980. Further filming of crowd reactions to the Vogons, location filming of "Arthur's House" and a scene in a pub were done between 11 and 16 May 1980. Scenes aboard the Vogon ship were recorded on 7 June 1980, in the BBC's TC1 studio. The final edit of the pilot episode was completed on 2 July 1980, and it was premiered for a test audience three days later (5 July 1980). Further test screenings were held in August 1980. Based on successful test screenings, the cast were reassembled to complete the six episodes of the series in September 1980. Production continued through the autumn, with filming and recording occurring "out of order." Recording and production on the final episode continued into January 1981.
The gap in production made for some continuity problems between the pilot episode and the remainder, Notably, Simon Jones' hair was cut short for another role, and he wears a noticeable hairpiece in later episodes. Conversely, Dixon's hair appears longer.
One major change first appeared in the stage show and LP adaptations, and made its way into the novels and TV adaptation. Nearly all of the sequences from Fit the Fifth and Fit the Sixth in the first radio series that were originally co-written with John Lloyd were completely cut. Thus the Hotblack Desiato character and Disaster Area make appearances in TV Episode 5, and Ford, Arthur, Zaphod and Trillian are all randomly teleported off of Disaster Area's stunt ship in TV Episode 6. Lloyd does receive a co-writer's credit on Episode 5, for the material on the statistics about the universe.
The complexities of adapting the material for television meant that some episodes became as long as 35 minutes, and some would say that the best jokes from the radio series had to be cut. The programme is particularly notable for its mock computer animation sequences, actually produced by hand using traditional cel animation techniques. There have been several different edits of the series: Some, but not all, PBS stations recut the series into seven 30-minute episodes (when PBS member stations began transmitting the episodes nearly two years later, in December 1982). Other PBS stations re-edited the programme into "TV movies" (broadcasting more than one episode at a time without interruption). The UK videotape release was on two tapes — both consisting of three episodes edited to run together, also adding some previously unseen material and remixed the soundtrack into stereo (the North American VHS tape release by CBS-Fox Home Video included this material on a single videocassette). The DVD edition claims to be the final and definitive version of the six TV episodes.
Another production problem was that, being a visual adaptation, a solution had to be found to display Zaphod's three arms and two heads (a joke originally written for radio). In a previous stage adaptation, a version of the "pantomime horse" was used, where two actors filled one costume, providing three arms and two heads between them. For this TV series, an animatronic head was designed and built, incorporating twelve servos and two radio-controlled receivers. However, the head was unreliable and in many scenes merely sits there, inanimate. For the third arm, most of the time it was "seen" tucked into Zaphod's jacket. But when called for, Mike Kelt, who had designed the extra head, would hide behind Mark Wing-Davey and slip a third arm into the appropriate sleeve.
Other elements to the production were done by a variety of BBC designers. The Heart of Gold and "B Ark" models were built by Perry Brahan. The "small, furry creature from Alpha Centauri" in Episode 3 was a puppet designed and controlled by Jim Francis. Jim Francis also built the Magrathean bubble car, also seen in Episode 3 (and was the stunt double for Richard Vernon for the scene in which the bubble car was seen to fly). Matte Paintings throughout the series were created by Jean Peyre. Music and sound effects were by Paddy Kingsland, with the exception of the theme music. The familiar Journey of the Sorcerer theme, by Bernie Leadon, was used again, in the arrangement by Tim Souster that had previously been used for the Hitchhiker's LP. Video effects using the Quantel system were done by Dave Jervis. Other puppets, including "insects" seen in Episode 5, were designed by Susan Moore. Some of the actual puppeteering was done by Stuart Murdoch, including operating parts of the "Dish of the Day" animal.
Two important cast changes were made for the TV version. David Dixon replaced Geoffrey McGivern as Ford, and Sandra Dickinson replaced Susan Sheridan as Trillian. The changes were made because McGivern did not suit the role visually, and Susan Sheridan was unavailable at the time. Another new cast member was Michael Cule, who appears as the Vogon Guard in Episode 2. Michael had first appeared in one of the Hitchhiker's stage adaptations, performing no less than twelve roles, reprised the Vogon Guard part in the 1992 Making of The Hitchhiker's Guide to the Galaxy TV documentary (and voiced the Babel Fish), appeared in the 1994 photo illustrated edition of the book (as Prosser), and returned a third time as a Vogon Guard for the BBC Radio 4 Quandary Phase.
Because of the sheer number of models used in episodes 2 to 6, a single day of filming just the model sequences was set aside at the BBC's Television Centre on 28 October 1980. This has been described as "a luxury few other shows could afford." In order to provide proper timing of spoken lines on-set, Douglas Adams himself spoke the lines of Eddie the Computer and Deep Thought, until they were redubbed by David Tate and Valentine Dyall respectively. Douglas Adams has several cameo appearances in the TV series:
The spaceman, suspended from a wire, in the titles sequence was Alan Harris.
Locations for filming included a clay pit and the former Par—Fowey railway tunnel in Cornwall, the Edmonds Farm and Red Lion pub in Sussex, the Budgemoor Golf & Country Club near Henley-on-Thames, and the Peak District National Park. Episode 3 was originally scripted to have a "pre-credits sequence" where Trillian announces their arrival at "the most improbable planet that ever existed" (i.e. Magrathea) to Zaphod. This was never filmed. The arrangement of "Journey of the Sorcerer" by Tim Souster, used in the titles, was released as a single in the UK in January 1981. The "B Side" featured Douglas Adams playing rhythm guitar.
Many of the costumes seen in Episodes 1 to 4 can be seen again during sequences at Milliway's in Episode 5. In Episode 5 the writing at the start showing 42 crossed out several times also includes the number 101010 which is the 42nd number in binary code.
First Broadcast on BBC Two, 5 January 1981
Episode 1 begins with a pre-credits sequence, the only one of the TV episodes to have one. A countdown to the end of the world is displayed through animation, and the narrator begins telling the story of the Guide and Arthur Dent's connection to it as the sun rises over the English countryside for the final time. Arthur wakes, discovers the threat to his house from a yellow bulldozer by looking out the window, and the camera pulls back to the credits. This episode closely follows the plot and dialogue of the first episode of the radio series, cutting the speech by Lady Cynthia Fitzmelton. It ends at a slightly earlier point than the radio episode, after Ford's line "he might want to read us some of his poetry first", and on a cliffhanger that Arthur and Ford are about to be discovered in a Vogon storeroom, but before the Vogon poetry is actually read.
First Broadcast on BBC Two, 12 January 1981
The episode opens with a recap of the story, with Ford and Arthur about to be captured. After being read Vogon poetry, they are thrown out of an airlock and improbably rescued by the Starship Heart of Gold, which has been stolen by Ford's semi-cousin Zaphod Beeblebrox, accompanied by Trillian, a young woman who Arthur once met at a party. Ford and Arthur are escorted to the bridge by Marvin the Paranoid Android and meet Zaphod and Trillian. The episode ends after they are introduced, with no cliffhanger.
First Broadcast on BBC Two, 19 January 1981
The episode opens with a guide entry explaining the legendary planet of Magrathea, which manufactured planets millions of years ago, until the Galactic economy collapsed. Zaphod has been explaining to Ford that he has found the legendary planet of Magrathea, whilst Trillian tends to a pair of white mice. Zaphod orders the computer to land on the planet surface.
Before long, they receive a transmission from the Commercial Council of Magrathea, informing them that the planet is closed for business and asking them to leave. They ignore this and later receive another message, noting that nuclear missiles have been sent at the ship. Attempts to evade the missiles fail, and Arthur uses the ship's Infinite Improbability Drive, which ends up turning the missiles into a very surprised looking whale and a bowl of petunias. Trillian discovers that during the chaos, her mice escaped.
The five characters go onto the surface, where they find it desolate. Zaphod suggests that the Magratheans lived beneath the surface of the planet. They split into two groups — Trillian, Zaphod and Ford explore a tunnel, whilst Arthur and Marvin remain on the surface. Trillian, Zaphod and Ford's thread ends on a cliff-hanger, with them seeing something alarming at the end of the corridor.
Meanwhile, Arthur and Marvin watch the sunset. Eventually, Slartibartfast arrives, and asks Arthur to come with him. He explains that the Magratheans were in hibernation for the last five million years. They get into his air-car, and descend deep into a tunnel.
A guide narrative intervenes, explaining that whilst humanity had always assumed that it was the most intelligent species on Earth, in fact the dolphins were more intelligent, and had left the planet some time before. However, both the dolphins and humans were less intelligent than the mice.
Meanwhile, Slartibartfast shows Arthur the vast tract of hyperspace that acts as the Magrathean's "factory floor", and that they have been brought out of hibernation for a special commission — "the Earth Mk 2, we're making a copy from our original blueprints". The Earth was originally made by Magrathea for mice; and it was destroyed five minutes too early. The episode ends here.
First Broadcast on BBC Two, 26 January 1981
Slartibartfast shows Arthur the archive tapes of Deep Thought being given the "Search for the Ultimate Answer" and of the result reported by the computer seven and a half million years later. After learning that the Earth was set up to search for the "Ultimate Question," Slartibartfast and Arthur join Ford, Trillian, Zaphod, and Trillian's mice, who had guided them to Magrathea.
The mice dismiss Slartibartfast, then express their desire to extract the "Ultimate Question" by first extracting Arthur's brain. While the mice attempt to strike a deal, the Galactic Police arrive, and Ford, Arthur, Trillian and Zaphod flee the dining hall, only to be cornered by the police in a large bay. After a misunderstanding, the police continue to fire on a computer bank behind which the four are hiding, which explodes, ending the episode on a cliffhanger.
First Broadcast on BBC Two, 2 February 1981
After an initial period of confusion, the four travelers find they have been transported forward in time to just before the end of the universe. They are in Milliways, the "Restaurant at the End of the Universe," which was built on the ruins of Magrathea. So, as Arthur says, they have traveled through time but not through space. Waiting for them is Marvin the depressed robot, who they left on Magrathea millions of years ago. He's now an attendant at the car park, and still depressed. Just before the universe ends, Zaphod and Ford get Marvin to help them steal a supercool all-black spaceship, which turns out to be the property of a very loud rock band called "Disaster Area." The episode ends on the cliff-hanger as the black ship is about to start a dive into the sun of Kakrafoon.
First Broadcast on BBC Two, 9 February 1981
Just before the supercool all-black ship crashes into a sun, Zaphod, Trillian, Ford, and Arthur escape in a teleport module that they convince Marvin to stay behind and operate. He is still on the ship when it heads into the sun. Ford and Arthur arrive without Zaphod and Trillian on a spaceship carrying millions people in cryogenic pods. The ship's inhabitants are from Golgafrincham; they are all "middle men"; i.e. the people that the smart Golgafrinchams (the "thinkers" and the "doers") back home wanted to get rid of.
The ship lands on pre-historic Earth. Ford realizes that the Golgafrinchams, not the primitive cave dwellers already on the planet, are the ones that will evolve into the human race. The episode ends with the two friends lamenting the eventual destruction of the Earth. The regular theme music follows the song "What a Wonderful World" by Louis Armstrong.
A second series was planned at one point, with a storyline, according to Alan Bell and Mark Wing-Davey, that would have come from Adams' abandoned Doctor Who and the Krikkitmen project (instead of a TV version of the second radio series). However, Adams got into disputes with the BBC (accounts differ: problems with budget, scripts, and having Alan Bell and/or Geoffrey Perkins involved are all offered as causes), and the second series was never made.[8][9] The elements of the Doctor Who and the Krikketmen project instead became the third novel, Life, the Universe and Everything.
In 1992, Kevin Davies wrote and directed a "making of" documentary entitled The Making of the Hitchhiker's Guide to the Galaxy. Davies had previously worked on the stage show at the Rainbow Theatre, and, while working for Pierce Animation Studios in 1980, had introduced Alan Bell to Rod Lord, leading to the animation for the TV series. For the documentary, Davies used many photographs and home movies he shot during the 1980 production of the series and recorded new interviews in October 1992 with the cast and crew. New footage of Simon Jones, David Dixon and Michael Cule, in character, were shot at the farm used for Arthur Dent's house in Sussex, and incorporated into the documentary, with some references to So Long, and Thanks for All the Fish, such as Arthur finding his home intact, and placing his (animated) Babel fish into a goldfish bowl. BBC video released the sixty minute documentary on VHS in 1993. Footage not included in the original documentary was included in the 2002 DVD release of the series. The documentary itself has not (as of 2005) been transmitted on TV.[8]
Neil Gaiman reveals in the first edition of his biography of Douglas Adams, Don't Panic, that the BBC was preparing a laserdisc release of the Hitchhiker's TV series in the mid-1980s, but had to cancel the project due to a legal tangle with the movie rights, although master tapes for the laserdiscs were prepared. The sound was specially remixed in stereo and Elektra/Asylum records agreed to license the original Eagles theme music for the laserdisc release. BBC Video eventually was able to do an initial VHS release in 1992. This was a dual cassette edition, with "never before broadcast material" (that had been cut to shorten the episodes). CBS/Fox Home Video made the six episodes available on a single tape in North America starting in 1993. They were joined by "The Making of the Hitchhiker's Guide to the Galaxy," also on VHS, that same year, as well as a laserdisc release. The complete series on one tape and the "Making of" on the second tape could also be purchased in a box set edition. Restoration of the six episodes and the "Making of" documentary were begun in 2001, with a Region 2+4 DVD release in the United Kingdom by BBC Video (Catalog Number BBCDVD 1092) in January 2002. A Region 1 edition, released by Warner Home Video, followed in April 2002. Both DVD editions are two-disc sets, with the six episodes on disc 1, and bonus materials on disc 2. The North American DVD edition also has a copy of the Omnibus tribute to Douglas Adams, from BBC 2, that aired on 4 August 2001, which the UK DVD edition does not.
|
|||||||||||||||||||||||||||||||||||||||||||